Premante (2025)

Premante (2025) – Telugu Romantic Comedy Film

Premante is an upcoming Telugu-language romantic comedy set to hit cinemas on 21 November 2025. Directed by first-time filmmaker Navaneeth Sriram, the film offers a playful yet heartfelt look at married life, mixing situational humour with genuine emotion. It is produced under the V Celluloid banner and presented by Rana Daggubati. The title Premante, which means “Out of Love” in English, reflects its focus on love that is tested by everyday habits and misunderstandings.

Plot Summary

The film centres on a newly married couple whose picture-perfect romance, sparked by a sweet first encounter, starts to crack when the wife becomes suspicious of her husband’s odd behaviour. What begins as a series of funny mix-ups slowly leads to a twist that changes how they see each other and their relationship. Marketed as a “thrill-u praptirasthu” (thrilling entertainer), Premante looks at the ups and downs of marriage with warmth, sharp humour, and a relatable touch.

Cast and Crew

• Lead Actors:
  • Priyadarshi Pulikonda plays the husband, building on his popular work in Mahanati and Pelli Choopulu.
  • Anandhi plays the wife, known to audiences from Kaaka Muttai and several Tamil and Telugu films.
• Supporting Cast:
  • Vennela Kishore, bringing his trademark comic flair.
  • Suma Kanakala, TV anchor and actress, in an important supporting role.
• Key Crew:
  • Director / Writer: Navaneeth Sriram
  • Music Composer: Leon James, known for tracks like Ladki Beautiful and Amaran
  • Cinematographer: Vishwanath Reddy
  • Presenter: Rana Daggubati

Performances: Priyadarshi in Feel-Good Form

Priyadarshi Pulikonda, seen earlier this year in a serious role in Court, switches gears with ease to play Karthik, an ordinary man with everyday worries. His timing in comedy, sharpened in films like Pelli Choopulu, lifts the film, turning simple situations like missed anniversaries into laugh-out-loud moments. Watching him fumble through an awkward family dinner or think up excuses on the fly brings back the charm of his early roles, but with a more grounded and mature edge.

Anandhi, returning to Telugu cinema after Kadaikutty Singam, is a strong match for him as Priya. She uses her eyes and small expressions to show a wide range of feelings, from puppy-like affection to sharp jealousy, so her character feels complete rather than just a partner reacting to the hero. She stands out in the softer, quieter scenes, where the jokes fade and we see her fears and doubts more clearly.

Direction and Technical Highlights: Bright, Clean, and Pacy

Navaneeth Sriram makes an assured start as a director, mixing situational comedy with sharp observations from daily life. He seems to draw on modern relationships, such as young couples visiting counsellors for “post-honeymoon blues”, to create scenes that feel familiar to many viewers. The film moves at a brisk pace, with no sequence dragging on, and Sriram lets the natural rapport between Priyadarshi and Anandhi lead the humour rather than stuffing the script with forced punchlines.

Vishwanath Reddy’s visuals give the film a colourful, cheerful look, with lively frames that match the playful tone. The production design supports this, from cosy interiors to vibrant outdoor scenes, while the editing keeps the storytelling tight. The soundtrack, already gaining attention for its blend of romance and fun, adds an extra layer of charm to the viewing experience.

Music and Sound: Leon James Delivers Catchy Tunes

Leon James’ music stands out as one of the film’s biggest assets, giving Premante a lively and youthful sound. The title song, a bouncy duet that mixes folk beats with modern electronic elements, sets an upbeat mood right from the opening. Romantic numbers like “Naa Premante” feel dreamy and light, helped by gentle acoustic guitar work and Anandhi’s warm vocals. Comic sequences are backed by quirky synth sounds and playful arrangements that make the funny moments land even better.

Final Verdict: Feel-Good Watch for Today’s Couples

Premante is not trying to be large-scale, heavy cinema; it feels more like an honest chat with friends over late-night chai. At its heart, the film suggests that love is not a perfect highlight reel; it is a messy mix of joy, doubt, arguments, and laughter, and that is what makes it worth holding on to. The easy chemistry between Priyadarshi and Anandhi, along with Navaneeth Sriram’s sharp eye for the absurd side of daily married life, shapes Premante into a charming choice for date nights, weekend outings, or a relaxed family watch.

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